Ticket
resale
Ticket resale (or ticket
scalping) is the act of reselling tickets for admission to events. Tickets are bought from
licensed sellers and are then sold for a price determined by the individual or
company in possession of the tickets. Tickets sold through secondary sources
may be sold for less or more than their face value depending on demand, which
itself tends to vary as the event date approaches. When the supply of tickets
for a given event available through authorized ticket sellers is depleted, the
event is considered "sold out", generally increasing the market value
for any tickets on offer through secondary sellers. Ticket resale is more common
in sporting events and music events.
Ticket resale is a form of arbitrage that arises when the amount demanded
at the sale price exceeds the amount supplied (that is, when event organizers
charge less than the equilibrium
prices for the
tickets).
Purchase
and re-sale methods
Ticket resellers use several different means to
secure premium and previously sold-out ticket inventories (often in large
quantities) for events such as concerts or sporting events.
Established resellers often operate within vast networks of ticket contacts,
including season ticket holders, individual ticket resellers and ticket
brokers. They make a business out of getting customers hard-to-find and
previously sold-out tickets that are no longer available through the official
box office; recently, obtaining tickets through special presales has become
more common. These presales often use unique codes specific to an artists fan
club or venue. The advent of presales has allowed more individuals to participate
in reselling tickets outside of a brokers office.Ticket scalpers (or Ticket touts in British English)
work outside events, often showing up with unsold tickets from brokers' offices
on a consignment basis or showing up with no tickets at all and buying extra
tickets from fans at, or below face value with their own money on a speculative
basis hoping to resell them at a profit. There are many full-time scalpers who
are regulars at particular venues and even have a pool of loyal buyers. These
full-time scalpers are often sought out by fans hoping for a last minute deal
and are comfortable buying from a familiar face, expecting that they are less
likely to be ripped off (i.e. withcounterfeit or stolen tickets) than they would be
by a stranger. However, there are plenty of scam artists that sometimes follow
a concert tour from city to city selling fake tickets to unsuspecting buyers
for whatever they can get. Another common practice is that scalpers would sell
tickets that have already been scanned at the venue gate since entry is
typically allowed only when a ticket is scanned for the first time. Since the
tickets were authentic, buyers would have no way of telling if a ticket had
been used or not.
Often, scalpers will wait for a specific time to
begin selling the tickets, to maximize the profits associated with supply and
demand. When scalpers wait until the final days before an event to
resell tickets, it is sometimes called a scalp
seeding.
Ticket brokers operate out of offices, and use
the internet and phone call centers to conduct their business. They are
different from scalpers in that they offer a consumer a storefront to return to
if there is any problem with their transaction. The majority of transactions
that occur are via credit card over the phone or internet. Some brokers host
their own websites and interact directly with customers. These brokers are
often able to offer additional services such as hotel accommodation and airfare
to events. Other brokers partner with online providers that run independent
e-commerce sites. These sites act as portals that allow users to purchase
tickets from a large network of brokers. They also serve to validate the
identity of individual brokers and provide additional service guarantees about
the authenticity of tickets purchased through their networks.
Online ticket brokering
Online ticket brokering is the resale of tickets
through a web-based ticket brokering service. Prices on ticket brokering websites
are determined by demand, availability, and the ticket reseller. Tickets sold
through an online ticket brokering service may or may not be authorized by the
official seller. Generally, the majority of trading on ticket brokering
websites concerns itself with tickets to live entertainment events whereby the
primary officially licensed seller's supply has been exhausted and the event
has been declared "sold-out". This "sold-out" status
increases the ticket's potential market value. Critics of the industry compare
the resale of tickets online to ‘ticket touting’, ‘scalping’ or a variety of
other terms for the unofficial sale of tickets directly outside the venue of an
event.
The late 1990s and early 2000s saw the emergence
of online ticket brokering as a lucrative business. U.S. corporate ticket
reselling firm Ticketmaster developed a strong online presence,
but had to make acquisitions to compete in the secondary markets. Securities
analyst Joe Bonner, who tracks Ticketmaster's parent company New York-based
IAC/InterActiveCorp, told USA Today: "You have to look at the secondary
market as something that is a real threat to Ticketmaster. They missed the
boat. StubHub has been around a few years now
already. They weren't as proactive as they probably should have been."Ticketmaster launched fan to fan
secondary ticket reselling site TicketExchange in November 2005. Ticketmaster
acquired former rivals GetMeIn and TicketsNow, while eBaybought StubHub. In
2008, the Boston Red Sox chose Ace Ticket over StubHub to sell
their tickets. Eric Baker, founder and CEO of Viagogo.com, a European ticket
resale website, has described the loosening of Ticketmaster's grip on the
market as "the equivalent in the ticketing industry of the fall of the Roman Empire ".
By 2008, Internet ticket fraud had emerged as
global problem, when fake ticket websites defrauded millions of dollars from
sports fans by selling Beijing Olympics tickets which they had no intention of
delivering.
Personalised tickets
Glastonbury Festival, which sold out 137,500 tickets within less than two hours in 2007, introduced a system in the same year whereby tickets included photographic ID of the original buyer, to enforce non-exchangeability.
For tapings of Comedy Central's The Daily Show and The Colbert Report,
tickets are free. However, identification of ticket holders is checked when
entering and while standing in line, and most notably when progressing from the
entrance queue into the studio space. These measures serve effectively as a
means of preventing those reserving these sought-after tickets from selling
them for a cash value upon reservation.
Selling ticket by acution
In September 2003, Ticketmaster announced plans to sell tickets in online auctions,
which will bring the sale price of tickets closer to market prices. The New York .
Selling
tickets at auction
In September 2003, Ticketmaster announced plans to sell tickets in online auctions,
which will bring the sale price of tickets closer to market prices. The New York Times reported that this could help the
agency determine demand for a given event and more effectively compete with
ticket resellers.[15] As of 2011, Ticketmaster still sells
tickets at auction in the United States .
Online auction sites like eBay only enforce state ticketing laws if
either the buyer and/or seller resides in the state where the event is taking
place. Otherwise, there is no resell limit for tickets.
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